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American hobbyists looking for guidance and rules of traditional Dutch style aquascaping have very few English-language resources to learn from. This article is adapted from my post in Tom Barr’s forum, The Barr Report. It explains some of the rules and techniques and is written with the novice American aquascaper (noobs!) in mind.
It is far easier to learn from mistakes than successes, so I’ve
used several bad
examples from my tanks to show you what not to
do.
Dutch style can seem old, rigid, and somewhat inflexible to Nature Aquarium style fans. And, yes, there are a lot of rules, but following rules is only important if you plan on entering your tank in contests. Still, keep in mind that this form of aquascaping is almost 80 years old and these rules evolved over the decades for a reason–they work! Following the rules simply gets you a better-looking tank.
This may be the most important Dutch style rule of all. Strong contrast between groups of plants is one of the most important features of a good Dutch aquascape. Knowing how tightly and densely to pack each stem in a bush is a skill that can only be mastered through experience. You need time to get to know the likes and dislikes of each species. Some plants, like Eriocaulon lineare or E. setaceum, melt if crowded and under sub-optimal conditions, while they can handle more crowding under optimal conditions. However, stem plants that are planted too loosely make the tank look messy and lacking cohesion.
This is why Dutch ’scaping is the realm of diehard plant lovers and horticulturists. Hardscaping is gorgeous. But Dutch aquascaping will force you to learn about plants. No other style teaches you more about them.
You need dramatic contrasts. Always think of contrast in leaf shape, size, texture, brightness, and height.
This is tied to proper trimming and floor layout.
When you set up a Dutch style tank, know what the floor plan will be. When you execute the floor plan, allow plenty of empty space between groups of plants.
An inch or two between groups of plants is good to start with. This will ensure that when the plants are fully grown that you will have a finger width (or two) of empty space between groups. Space makes plant groups more distinct. It increases the perception of contrast between groups of plants.
Allowing plant species to intermingle is a Nature Aquarium technique. Keeping groups separated also allows for better circulation of CO₂ rich water in flow-dead spots.
If all of your foreground plants are 3″ tall and all of your midground plants are 8″ tall and all of your background plants are an even 20″ tall, it will look weird.
Use a short Monte Carlo or Elatine triandra in the foreground along with something taller like Alternantera reineckii ‘mini’ or Staurogyne spraguei (Porto Velho).
Even taller plants like Blyxa japonica or Cryptocoryne wendtii can be used as both fore and midground plants.
Having a moss or fern wall on the background will help background plant bushes of varying height seem smooth.
It is possible to have a foreground full of exclusively 3″ tall plants if you use Staurogyne repens, Alternanthera reineckii ‘mini,’ and Eriocaulon sp. Vietnam. That evenness would not look good.
How’s this for an idea? Consider showing a hint of foreground gravel in one or two places between plants.
Not having leaf size variety reduces contrast and makes the tank look boring. Stem-plant-itis causes this issue with hobbyists who are transitioning from Nature style aquascapes.
See point above.
Don’t do these things:
This is where most people struggle.
It takes planning and restraint to limit the number of species. It also takes discipline to stay with this limitation. It is simply too easy to allow species count to creep up.
So what’s the problem with this?
Don’t do it. This imparts a golf course effect. A left wall to right wall carpet of Staurogyne repens or Micranthemum tweedei (Monte Carlo) may look lush, but this does two things that work against visual appeal:
This is tied to the above rule about using only one species in the foreground, but there is a slightly distinct point to be made: missing midground plants are a chronic problem in beginners’ Dutch tanks.
Without midground plants, the tank will lack a feeling of depth.
They give the eye a place to rest and return. Visually, our eyes start the experience here. Eyes wander off, but are always peripherally tethered to the focal points. This also prevents symmetry, a kiss of death in this type of styling.
Well-trimmed red lotus in the front left focal point can work well
with a bush of Rotala macrandra or Ludwigia inclinata var. Pantanal in
the back right. I say well-trimmed lotus
because that is the only
way to keep a Nymphaea species from sending out floating leaves or
sore-thumb leaves that stick out in an ungainly way. This tip also
works best with a tank that is three times longer than it is
tall. Example: a 180 gallon tank that is 6 feet long and 2 feet high
works nicely (front panel is 3 squares). But a 120 gallon tank that’s
4 feet wide and 2 feet tall (front panel is exactly two squares) will
require you to work harder at avoiding symmetry.
Contrary to popular belief, Dutch style tanks should not have wall-to-wall dense planting. You can allow the viewer to see the back wall of the tank in a small patch–this adds to the feeling of depth.
If you have a plain back wall it should be visible through a small area between plant groups.
This is a personal weakness; I enjoy breaking this rule. Many American hobbyists attempting Dutch for the first time have too-much-red-itis. After all, who doesn’t like red plants? They look like flowers! It’s hard to resist.
One or two red plants at focal points is enough. Put another way, no more than a quarter of the species should be orange/red/pink.
Judges typically view this as over-the-top, tacky, and over-emotional.
Not having a moss wall is okay, but it’s preferable to have one. Adding moss to the back wall gives the tank a feeling of depth and texture. It makes it look like there is something behind the background plants, rather than just emptiness. Moss on a wall does not count for species count, but moss on a log does.
This section discusses tips and tricks of how to create contrast
and avoid symmetry in traditional Dutch style aquascaping. While these
aren’t necessarily rules,
following these guidelines will help the
novice Dutch aquascaper avoid pitfalls and improve rankings in
contests. Note that some of these concepts were discussed in previous
articles; I’ll try not to repeat myself too much.
A cohesive and smooth plant bush that rises and falls without out-of-place runaway stems is important for visual appeal. Most circular or oval bushes need to start smoothly, curve over the top and end smoothly. If you have a bush of 25 plants, you need to know how long to trim each stem and where to insert each of those in the substrate so that a few days or weeks after planting, the bush is ideal.
This is easier said than done. And while this skill takes a lot of time in the beginning, it is one worth developing. Some ’scapers get good at this quickly. Others, well, it takes decades.
There is an abundance of light green plants. Don’t overuse them. You need both light green and dark green. This is a personal foible. I often avoid dark green plants because of their reduced contrast against ADA Aquasoil. But it is important to have both light and dark green plants.
The importance of this concept cannot be overstated. In the previous section, I already discussed variation in leaf size, shape, and color. But this is a nuanced point that addresses the need for rosette plants. While a judge may not deduct points for not having rosette plants, it is something to strongly consider for the sake of increased contrast. The hobby is overrun with stem plants.
Putting dark green plants in both back corners will force attention to the center of the tank and make the tank look smaller. Bright gets looked at more than dark because our eyes are naturally attracted to brighter objects. So a dark-leaved Cabomba or Echinodorus in the back corner means that area will get ignored. It’s as though the tank begins where the dark plant ends and a light plant begins.
Don’t put Alternanthera reineckii ‘mini’ or the like in a front corner. It distracts the eye like a shiny object in the periphery. If you take the eye away from focal points by putting a bright plant all the way in the corner, you take the eye away without a smooth return. It ruins visual flow. There is no visual pay off there besides the colorful bright spot.
A tankful of perfectly trimmed, vertical plants might look like soldiers on display. One or two wild-haired plants can be used to shake up that uptight stiffness. Candidates include:
Red plants are usually used as focal points. You cannot, by definition, have two focal points next to each other. Red plants are attention hogs and two red groups next to each other will compete. Don’t even put orange and red next to each other.
This is a Nature Aquarium style technique. It reduces contrast between groups.
This is something you need to force yourself to think about. Fight the urge to place a focal point plant (Nymphaea lotus or Aponogeton boivinianus) or something extraordinarily bright and colorful like Rotala macrandra ‘variegated’ or Ludwigia inclinata ‘Pantanal’ right in the geometric center of the tank. Even placing a big bush or a clearly defined plant right in the middle is a mistake.
Once you’ve thought about it, it is relatively easy not to plant a big showy plant in the middle. Avoiding symmetry does not end there! It’s secondary symmetry that will get you.
Secondary symmetry is about avoiding minor mirror effects like equal-sized bushes on opposite sides of the tank or equally bright plants at exactly the same distance from the center. This type of symmetry is a lot harder to spot and avoid in your own tank. Ask a friend if he or she notices secondary symmetry.
The tank in the case study on the following page belongs to Joe Harvey. He won the 2017 Dutch Aquascaping category of the AGA contest with this gorgeous tank. Joe and I had discussed the tank during the pre-contest preparation. We both noticed the central position of the Didiplis bush and he trimmed and moved it to the left by a few inches. However, neither of us noticed the numerous secondary symmetries in this tank. There are two mirroring triangles in the foreground. There are two mirroring dark spots to either side of the Didiplis bush. The Isoetes and Barclaya are equidistant from the central Didiplis bush. We didn’t notice any of this until he asked Bart Laurens to comment. Bart pointed out several of these secondary mirror images that, once revealed, become very obvious.
Find out if you have enough contrast between plant groups: step back 20 feet and squint your eyes. Does each group of plants stand out? Or do plants in one part of the tank sort of blend together?
Another trick is to take black and white pictures and look at it on your computer screen. Or take pictures and blur them on purpose using a photo editing software to see if any areas are blending into each other...
This gorgeous winning entry from Joe Harvey (in the 2017 Aquatic Gardeners Association Aquascaping contest) proves that when you’ve been looking at your own tank for months, it becomes difficult to spot symmetries or design traps. Joe Harvey and I had extensively discussed the progression of this tank for months before he submitted the entry. Neither one of us realized how highly mirrored this tank was until Joe sent this picture to Bart Laurens, who quickly spotted these symmetries (below). Our response was, Damn! Bart’s totally right! How’d we miss that?!?
One feature of Dutch aquascaping is that it doesn’t use substrate terracing to create a sense of depth in the aquarium, but rather uses terracing of the plants to create that depth. A well-constructed foreground should blend seamlessly with the (taller) mid-ground and (even taller) background plants. I will now present some tips to creating a Dutch foreground.
Let some foreground plants almost touch the front glass while others stay an inch or two back. This is to prevent a synthetic appearance caused by a runway/landing strip effect from a continuous strip of substrate along the front of the tank. It’s fine, even recommended, to have some substrate visible near the front of the tank. A runway or landing strip all the way from the left to right end of the tank is, well, odd-looking.
All spreading foreground plants need to be aggressively trimmed and allowed to grow back to the right size before photography or a contest.
Every square inch of substrate does not have to planted. A little empty space gives the tank a more relaxed look.
This reduces the perception of depth. Through careful trimming, create differently-shaped bushes and don’t forget to make a street.
This is not absolutely essential, but is a feature of many classic Dutch style tanks. Curtain plants are essentially tall, vertical plants in the front left and right corners, similar to curtains on a theater stage.
Traditional Dutch style tanks use inert natural brown gravel. Black blasting sand or dark clay soils like ADA Aquasoil are traditionally not used, but will not count against you in a contest unless you have large swaths of substrate exposed.
This happens to the best of us. Traditional Dutch style tanks are expected to cover the substrate line with their homemade stands. If you choose not to cover it, you are opting for more work.
Creating a beautiful foreground that pulls the eye further into the tank is a delicate balancing act of plant selection and timely trimming. It’s one of the many reasons that Dutch style aquascaping has had such appeal for so long.
This final section contains a random smorgasbord of ideas that don’t really fit into previous sections or aquascaping themes.
Tanks with 18″ or less front to back depth need extra focus on the midground as well as a perfectly executed plant street to add a feeling of depth. A depth of 24″ front to back is a nice place to start. Thirty inches from front to back is even better. However, if you have just 18″ then you need to take a lesson from Nature Aquarium style and depth using a lot of midground groups and strongly tapering plant streets.
If you cram plants into every inch of the substrate, it looks suffocating. Too few plants and it looks unfinished. Find a happy medium.
No U-shaped plant layout (or upside down U), i.e. tall plants on either end with short plants in the middle. This is a component of Nature Aquarium style pioneered by Takashi Amano. While incredibly beautiful, it is not Dutch. Even if your plant choices and color contrasts are typical of Dutch style, if you create a U-shaped ’scape, judges will ooh and aah, but eventually disqualify your entry.
Don’t overuse driftwood. Likewise, avoid Iwagumi-style rock clusters or hardscaping. Dutch style is about plants!
Mosses provide much-needed dark green foliage in Dutch tanks, but don’t do this as a separator tactic between too many groups. By the way, moss on a wall does not count toward species count, but moss on a log does.
There is no need for terracing to elevate the substrate in the back of the tank. A slight incline to the back wall is fine but is not needed. Use the natural height of plants to imply elevation in the back.
A dozen or so fish of one main species is the minimum. Onesies and twosies of random fish lack the effect provided by a school. Avoid too many fish, as it makes a tank look busy and hectic. Stock lightly. I have and continue to make this mistake because I have nowhere else to put my Cardinal Tetras. Cardinal Tetras like to occupy the bottom third of the tank. If your tank has just Cardinals, the top layer will look empty. Time to add some top level swimmers. For the same reason, bottom level swimmers such as a few loaches or Corydoras or dwarf Cichlids add to the balance.
It always feels like we have too many light green plants or we’ve gone overboard on red ones. Dark greens, dark olive, and earthy browns are sorely lacking in Dutch tanks. Cryptocoryne beckettii, C. albida ‘brown’, C. undulata, several forms of C. wendtii or even the relatively uncommon Lagenandra keralensis could work.
If you have a 4-foot long tank, it’d be very easy to place 5 bushes in the background, each about 8 to 10 inches wide. This sameness will look staged and reduce contrast.
It will make the other side seem too heavy. The bigger your tank (and busier your schedule), the more likely this issue will occur. If you’re nearing photography for competition, expect to spend an hour a day for a couple of weeks. Follow every major trim with a large water change.
Not doing so will cost you points. Remove the filter hardware, heater, drop checker, etc.
As mentioned on Page 1, this guide is aimed at entry-level American aquascapers.
Estimative Index (EI) is a fertilizing technique that’s popular in the US. It aims to provide nutrients and CO₂ in excess, so you no longer have to worry about deficiencies.
While EI is a very effective horticulture tactic, it is excessive with both fertilizer and CO₂. Such levels of fertilizer and CO₂ will cause many plants to grow at unsustainable speeds. This might sound like a good thing, but it does two things:
First, the plants grow so quickly that you will need to constantly uproot and trim. The issue with this is the tank will always look freshly planted, like you just set up the tank a week ago.
Second, it’s very difficult to project a calm and restful
appearance when plants are growing at breakneck speeds. EI-dosed Dutch
tanks often look hurried and restless. Leaf size, color, and growth
patterns…all looked cranked up to 11.
Expert Dutch ’scapers in Holland don’t use anywhere near as much water column dosing. Most of them would gasp at how much nutrients and CO₂ are added to American tanks. Think of EI as a blunt farming technique. It’s not ideal for Dutch style tanks. Our Iwagumi and Nature Aquarium friends will attest to this.
My suggestion is to dose half or one-third strength EI with moderate levels of CO₂ and light. If you have hungry plants, you can always insert fertilizer tablets deep into the substrate under those plants.
I hope this has inspired you to try this beautiful and challenging style of aquascaping.
If you combine all the tips shared in this series, it’ll become clear that Dutch style ‘scaping is the most horticulture-intensive of all aquascaping styles. This style will force you to learn the needs of each species.
In the early 1990s, just before Takashi Amano entered the scene, Dutch ’scapes were dominated by about 20 species of plants. Virtually all the top tanks contained some assortment of these 20 plants. There’s a reason for this: everyone knew the needs and growth patterns of these 20 plants and armed with that knowledge they could create an endless variety of spectacular tanks.
Choosing plants is harder today because of the sheer variety
available. You need to be ruthless in your plant selection. If a
Rotala or Ammannia stunt in your tank, move onto something you
can grow without issues. Select a Vin is a longtime friend and he asked me to write a postscript for
this excellent guide showing a few mistakes that I’d made with early
contest entries, and what I did to correct them in later ones. I then had the sobering realization that in four years I really haven’t fixed anything! My entries all have the same basic mistakes or weaknesses. And I
tend to repeat them. When you see a good Dutch tank in pictures it looks almost
3D. There is a profound sense of depth that comes across even in
photograph. To create this feeling of depth using only plants is the
ultimate goal and also the biggest challenge when it comes to making a
good Dutch tank. Two basic ingredients you need to begin with are big full groups,
and dramatic contrasts in height. My entries have typically lacked
good use of the former, and therefore lack the kind of depth and
fullness a good Dutch tank is supposed to have. On the following figures, I’ve marked a few weak spots in my
2020 AGA entry. In spite of placing second, this tank has some big
problems. And for the most part the problems all come down to just
needing bigger/fuller groups. Top left: This group needs at least twice as many stems to
fill the space nicely. Adding another row or two down low would also
kill the big shadow above the H. balsamica. Bottom left corner: again, it needs about 3x as many stems,
and it needs to be taller to create better depth. Ideally, the
balsamica would disappear behind it at the very bottom. Mid bottom: Hyptis laciniata here isn’t too bad but
having a few more would help. Could fill in the big shadow and create
more of a well-contoured mound. Bottom right corner: Species choice aside, this group needs
to span further to the right and add a couple inches of height all the
way around. However! Gotta be careful not to mirror the opposite
corner. Im already using small stems in both spots so there needs to
be a distinct difference in the size and general direction of the two
groups. See Case Study above. Top right corner: Using big-leaved species where you need a
solid block of color can be risky. If you don’t have enough stems the
group looks hollow, you can see through it. Staurogyne spatulata is a
versatile plant, works well either short or tall, makes a great
street. But to work in this particular spot there needed to be a lot
more of it. Mid back: Speaking of big leaved species and hollowness,
Ludwigia sp. rubin here needs a couple dozen more stems to really look
right. It’s not a great choice to begin with, especially with the
similar sized spatulata beside it. A fat rotala bush or any fine
leaved red would’ve looked better. Red X: Blyxa octandra was a poor choice for this
secondary focal spot. For one thing the plant itself is a little ratty
looking and you never want that. Second, its natural shape blocks
light from hitting the front of it, which makes the whole thing look
dark and shadowed. Literally the opposite of what I was going for! A
bright species in front of it would’ve helped. Better still would be
moving it to the right and just doing something else in the focal
spot. If you can imagine all these spots having fuller groups you can see
what a difference it would’ve made. It would’ve turned a tank that
right now merely qualifies as a Dutch into a pretty good one. So, that is the main thing I’m trying to improve on these days,
incorporating bigger groups across the board for better fullness and
depth. Vin already covered the importance of height contrasts with some
good examples. I used to think of height contrast as just another rule
to follow. Don’t have anything that’s the same height as another
group. It’s actually a primary tool for expression and must be
utilized. It’s key even for foreground plants - just because they are
foreground plants, does not mean they can all be the same height. Height difference forms the bedrock of a Dutch ’scape. It defines
the the overall shape and Colors are just the final coat of paint - I cannot stress this
enough. So, pay extra close attention to height and leaf shape before you
think about color. (Pro-tip: take a black and white picture of your tank
and see if there is contrast without color). Paying too much attention
to color contrast instead of height and leaf shape contrast is one of
the most common mistakes I see beginners make.
PostScript by Joe Harvey
where things go
visually. It’s what
creates depth. Think of height contrasts as part of the structure
itself.